The resurgence of analog photography is a fascinating trend, and the new Savannah Center for Photography is at the forefront of this movement. As someone who has always been captivated by the art of photography, I find it inspiring to see the passion for analog photography ignite once again. The center's mission to foster appreciation and provide resources for photographers is a welcome addition to the Savannah art scene, and I'm eager to explore its offerings.
One of the most intriguing aspects of this new nonprofit is its focus on the darkroom. In an era dominated by digital technology, the darkroom represents a return to the roots of photography, a place where the magic happens. Josh Yates, the center's founder, shares my enthusiasm for this traditional space, having been inspired by master printer Alan Ross at a workshop in Yosemite. This personal connection to the darkroom is what sparked his vision for the center, and it's a testament to the enduring appeal of this analog process.
The center's board of directors is a stellar group of individuals with diverse backgrounds in fine art, photography, academia, business, and arts administration. Steve Bliss, a Professor Emeritus of Photography at SCAD, brings a wealth of experience and knowledge to the table. Erin Dunn, the Curator of Modern and Contemporary Art at the Telfair Museum, adds a contemporary perspective. Joshua Lindsey, the co-founder of the Savannah Photo Club, brings a sense of community and passion. Caitie Moore, a SCAD alum and photographer, contributes institutional expertise. Parker Stewart, a renowned fine art photographer, and Jack Leigh, with whom he has a joint show, bring a fresh and exciting artistic voice to the center.
Yates' own photography career is a testament to the center's potential. His work, often shot in black and white, explores abandoned spaces, capturing stark and dystopian interiors and landscapes. His three main bodies of work, De/Institutionalized, American Wasteland, and Front Row Seats to the End of the World, showcase his unique perspective and eye for detail. The fact that he has found time to build out and promote the nonprofit while pursuing his own photography career is a testament to his dedication and passion.
The center's inaugural show, SCP Presents, is a celebration of the talent and support within the community. Board members, photographer friends, and acquaintances are donating all proceeds to the new venture, with Yates' work being a featured part of the exhibition. This show is a testament to the center's ability to bring people together and foster a sense of community.
The Savannah Center for Photography is more than just a darkroom; it's a hub for photographers to connect, learn, and grow. With plans for classes, workshops, and a monthly critique group, the center is committed to providing a supportive environment for photographers of all levels. The potential for a larger digital lab, matting and framing areas, and alternative process exposure areas is an exciting prospect, further enhancing the center's offerings.
In my opinion, the Savannah Center for Photography is a welcome and needed addition to the art scene. It represents a resurgence of interest in analog photography and a celebration of the community's passion for the craft. As someone who values the history and tradition of photography, I am excited to see the center thrive and become a hub for creativity and learning. The center's grand opening and inaugural show on June 26th is a must-attend event for anyone interested in photography, and I can't wait to explore its offerings and witness the magic of the darkroom firsthand.
